Tibetan and Himalayan Library - THL

THL Title Text

Photographs

Type II.2c. Heaped-stone wall enclosure; a reconstruction of the basal structural elements (drawn by Kleo Belay) Type II.2b. Double-course quadrate enclosure with well developed walls; a reconstruction of the basal structural elements (drawn by Kleo Belay) Type II.2b. Double-course quadrate enclosure composed of upright slabs; a reconstruction of the basal structural elements (drawn by Kleo Belay) Type II.2b. Double-course quadrate enclosure composed of stones embedded in the ground; a reconstruction of the basal structural elements (drawn by Kleo Belay) Type II.2a. Single-course quadrate enclosure composed of upright blocky stones; a reconstruction of the basal structural elements (drawn by Kleo Belay) Type II.1c. Quadrate array of pillars with appended edifice (larger example); a reconstruction of the basal structural elements. View from the west (drawn by Kleo Belay) Type II.1c. Quadrate array of pillars with appended edifice (larger example); a reconstruction of the basal structural elements. View from the east (drawn by Kleo Belay) Type II.1c. Quadrate array of pillars with appended edifice (smaller example); a reconstruction of the basal structural elements. View from the east (drawn by Kleo Belay)
Type II.1b. Pillar erected within a quadrate enclosure; a reconstruction of the basal structural elements. View from the northwest (drawn by Kleo Belay) Type II.1b. Pillar erected within a quadrate enclosure; a reconstruction of the basal structural elements. View from the east (drawn by Kleo Belay) Type II.1b. Pillars erected within a quadrate enclosure; a reconstruction of the basal structural elements. View from the southwest (drawn by Kleo Belay) Type II.1b. Pillars erected within a quadrate enclosure; a reconstruction of the basal structural elements. View from the east (drawn by Kleo Belay) Type I.2c. An artist's conception of a residential complex built into caves with all-stone corbelled anterooms (drawn by Kleo Belay) Type I.2a. An artist's conception of an all-stone corbelled residence built into a mountainside (drawn by Kleo Belay) Type I.1a. An artist's conception of an all-stone corbelled citadel with staggered ramparts in the foreground (drawn by Kleo Belay) The single building that comprises Chilpu (<em>spyil phu</em>) Monastery.
View of Chilpu (<em>spyil phu</em>) Monastery from the front. Statue of Chenngapa Ts&uuml;ltrim Bar (<em>spyan snga pa tshul khrims 'bar</em>), founder of Lo Monastery. View of Neuzur Monastery and stupas (<em>mchod rten</em>). View of Radreng (<em>rwa sgreng</em>) Monastery. Tikl&eacute; Chudruk (<em>thig le bcu drug</em>) Mandala. View of Gyel Lhakhang Monastery. Ritual dance (<em>'cham</em>) during the Flower Offering Ceremony (<em>me tog mchod pa</em>) at Gyel Lhakhang (<em>rgyal lha khang</em>). View of Poto Monastery from below.
Statue of the first Losempa (<em>lo sems dpa'</em>), Lodr&ouml; Gyentsen (<em>blo gros rgyal mtshan</em>). Row of stupas, called &ldquo;Auspicious Stupas&rdquo; (<em>bkra shis mchod rten</em>), at Lo Monastery. The large cloth tangka (<em>gos sku</em>) at Lo Monastery. View of Lo Monastery from above. The annual New Moon offering ceremony (<em>gnam gang mchod pa</em>) in front of Lo Monastery. Monks gathered in the assembly hall (<em>'du khang</em>) of Lo Monastery. Ruins of the philosophical college (<em>grwa tshang</em>) at Sangpu Neutok Monastery. View from Sangpu Neutok Monastery.

Loading...